No one can deny that students are using large language models like ChatGPT in a range of ways to support their completion of their university coursework: generating translations, ideas, outlines, essays, reflections, summaries, reading responses, presentations (Walsh 2025). And while nearly any assignment can be AI-generated, it has also become clear that with the advancement of these technologies and students’ creative prompting, we are unable to reliably detect these generated assignments (Walsh 2025; Kreuz 2025). Some academics have also contentiously begun to use these models to support their own work (Kobak et al 2025; Snoswell et al 2025).

What does this mean for students and for our pedagogy as instructors?

This not only has serious ethical implications, but cognitive learning impacts that are still being discovered (Kosmyna et al 2025; Kovanovic and Marrone 2025). Yet with the reality of AI’s proliferation and integration into many professional spheres, course instructors across universities are torn about how to approach this AI use.

The Department of Canadian Heritage is taking this challenge seriously through their call to fund projects up to $380,000 at their Digital Citizen Contribution Program, particularly this opportunity, among others, for post-secondary institutions, with applications closing on August 22 for this year:

Projects that engage High School, College or University students, as part of their course or program requirements, in fact-checking activities to support the work of Canadian media organizations, including diaspora community media and reputable independent media, in pre-bunking and de-bunking disinformation

To unpack, experiment with, and respond to these questions at UTSC’s Arts, Culture and Media department (ACM), Prof. T.L. Cowan (CLCF member and ACM Associate Chair, Equity, Diversity, Inclusion & Accessibility Commitments & Initiatives) and Prof. Marla Hlady (Associate Professor, and erstwhile Associate Chair Curriculum & Teaching in 2024-25) convened the GenAI & Classroom Dynamics ACM Working Group.

Zoya Yasmine / https://betterimagesofai.org / https://creativecommons.org/licenses/by/4.0/

The GenAI & Classroom Dynamics ACM Working Group

This research began with surveys and town halls with ACM students, TAs, sessional instructors, and faculty beginning in Spring 2025, as well as research into guidelines and initiatives by other departments at UofT and academic institutions.

Since then, the GenAI & Classroom Dynamics ACM Working Group has grown, composed of undergraduate students, graduate students, postdocs, sessionals, TAs, and faculty. Together, we have identified key areas of intervention and experimentation, piloting different pedagogical approaches including:

  • “No & No” Courses: trial runs of courses that prohibit the use of AI and any devices (e.g. laptops, cellphone) in classroom settings spearheaded by CLCF members Prof. Jas Rault and Prof. David Nieborg.
  • AI in Assignments: experimental pedagogies that integrate AI tools, are designed to strategically exclude them, or are “choose your own adventure” assignments (designed by Prof. T.L. Cowan) that allow students to determine and disclose how they use AI-tools including from GenAI and Automated Translation Tools by filling out an “AI Appendix”.
  • ACM TA Handbook: supporting TA’s existing work and the reimagining of the work of TA in-class, beyond grading.
  • Critical AI/AI Ethics: the creation of reading lists and teaching resources to support instructors’ incorporation of critical AI students in their classrooms, led by CLCF members Aline Zara, Daphne Idiz, and Rafael Grohmann.
  • Pro-Speaker Series: bringing in panels of professionals to speak to how AI is being integrated or not into their fields, and the real-life critical skills students need to succeed. CLCF will be taking part in Pro-Speaker series through research profiles and panels of ongoing CLCF research by members like ME Luka, Rafael Grohmann, Daphne Idiz, Desirée Livingstone, Godwin Simon, Hadiya Roderique, Laura Risk, Mark Campbell, Sanaz Mazinani, and the AI mapping projects (Aline Zara, Cate Alexander, Helena Wright, Julia Parke, and Lauren Knight).

Zooming in on CLCF’s critical AI/AI ethics subgroup

Critical AI is fundamental to the work done by CLCF’s researchers: environmental impacts; bias (including gender, race, and class); intellectual property, copyright, and text and data mining; data work; pedagogy and critical thinking; and political economy.

Led by CLCF members Aline Zara, Daphne Idiz, and Rafael Grohmann, this subgroup is focused on finding ways to share resources about these critical approaches to understanding AI in ways that ACM instructors can easily incorporate into their courses.

We are also integrating this approach into our own courses, including New Media Futures (formerly Mapping New Media) taught by Daphne in Fall 2024 and Summer 2025, and Rafael’s forthcoming  Senior Seminar: Topics in Media and Society focused on Media Workers & AI.

Our first output is the Critical AI/AI Ethics Bibliography!

📚Check out the bibliography in progress

Aline Zara

Research Assistant

Aline Zara (they/she) is a Ph.D. candidate and artist at the University of Toronto's Faculty of Information. Their research focuses on voice, sound, embodiment, and AI at the intersection of critical AI studies, voice and sound studies, transfeminist science & technology studies, disability studies, and queer studies.

Daphne Idiz

CLCF Co-Director & Postdoctoral Fellow

Daphne Rena Idiz (she/her) is a Co-Director of the Creative Labour and Critical Futures (CLCF) cluster and Postdoctoral Fellow in the Department of Arts, Culture and Media at the University of Toronto Scarborough (UTSC).

T.L. Cowan poses for a selfie in a bathroom mirror. The bathroom is in the Helsinki Art Museum, and features the mosaic “You don’t know how beautiful you are” by the artist Tuula Lehtinen. The mosaic is made of ceramic plates that are painted and fired with porcelain colours (https://www.tuulalehtinen.fi/art-architecture/ ). The mosaic features swirls of a colour pallet including pink, orange and white tiles, creating a design that surrounds the walls of the bathroom. The mirror is on a diagonal. T.L. is a tall white queer femme with dark curly hair with bangs and large-framed eye glasses. She is wearing dark pants, a navy-blue fishing vest and a long dark shirt. She is taking the selfie with a phone in a blue case with a blue popsocket. She has line-drawn tattoos on her fingers.

Associate Professor

T.L. Cowan (she/they) is an Associate Professor of Media Studies in the Department of Arts Culture and Media (UTSC) and the Faculty of Information at the University of Toronto, as well as a cabaret and video artist.

Mary Elizabeth Luka

CLCF Co-Director & Associate Professor

Dr. MaryElizabeth (“M.E.”) Luka is PI and Co-Director of the Creative Labour and Critical Futures (CLCF) cluster and Associate Professor, Arts & Media Management, at University of Toronto, where they examine modes and meanings of co-creative production and distribution in the digital age for arts, culture, and media.

Rafael Grohmann

CLCF Co-Director & Assistant Professor

Rafael Grohmann is a Co-lead and Co-Director of the Creative Labour and Critical Futures (CLCF) cluster and an Assistant Professor of Media Studies (Critical Platform Studies) at the University of Toronto. Rafael is the leader of the DigiLabour initiative and founding editor of the Platforms & Society journal.